ForTheLoveOfIvy
Gretschie
Really love my Greer Lightspeed. Never had an OD that could be so subtle before...love it since I prefer my Gretsch sound to be on the cleaner end of things with just a hair of dirt.
Had one, sold it, regret followed.X-otic BB preamp does a good job.
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Whoa...a $50 clone... Is it any good?Try a Caline Orange burst...![]()
Whoa...a $50 clone... Is it any good?
I just got on the waiting list for a Snouse BlackBox, I’ll race you!Caline High Chief - very nice sounds with my 5420 with TV Classics into a modeled clean Marshall with Fender Twin cab I have set up. It's a King of Tone clone (yes I am on the waiting list for the real thing)
I quite like mine, a Bluesbreaker with KOT switches and a mild trebely non-KOT boost. (tip: If you Solder a 15k resistor across R6 to make the Clear channel higher gain than the Drive, the Clear diode switch will now make a difference. Solder a 10nF cap across both C4 for more bass on the clear). The Bluesbreaker side has less mids than my more obvious KOT clone.Caline High Chief - very nice sounds with my 5420 with TV Classics into a modeled clean Marshall with Fender Twin cab I have set up. It's a King of Tone clone (yes I am on the waiting list for the real thing)
Nocturne Fluid Drive. The best overdrive pedal I have ever used surrounded by some of its best buddies:
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It's an ingrained habit from my sound mix engineering background. I always wanted to avoid impedance mismatches into the signal chain. Buffers are a typical choice for me. All my pedalboards are buffered at each end, that way it doesn't matter how many effects are turned on or off at any one time, the impedance match to the real or virtual amplifier is consistentDouble buffers - that's not something I've seen before, but a very clever setup there!