Johnny Smith Method

Bertotti

Gretschified
Jul 20, 2017
10,948
South Dakota
@Synchro can my other thread about this book be moved into this thread? I am very hopeful others may continue to be involved but actually buy the method and learn along with me.
 

Bertotti

Gretschified
Jul 20, 2017
10,948
South Dakota
Here is a link to an older thread. I think there was another as well.
 

MrWookiee

Country Gent
Jun 17, 2020
1,787
SoCal, USA
I'm on the fence about joining @Bertotti on his JS quest. I'm very interested and intrigued but don't have guitar commitments to other people. I do have bassoon and tenor sax commitments, so practice time is limited; even the trombone has stayed in the closet since the pandemic began. Between that and the fact that I'm self-taught, I'm only half way through the Hal Leonard method book for guitar, after 2.5 years. Sad!
 

Bertotti

Gretschified
Jul 20, 2017
10,948
South Dakota
I'm on the fence about joining @Bertotti on his JS quest. I'm very interested and intrigued but don't have guitar commitments to other people. I do have bassoon and tenor sax commitments, so practice time is limited; even the trombone has stayed in the closet since the pandemic began. Between that and the fact that I'm self-taught, I'm only half way through the Hal Leonard method book for guitar, after 2.5 years. Sad!
Yea, I have no commitment to JS but it seems like a good amount of practical stuff to learn. I like to learn. I don’t like Jazz much at all. Oh and I have had this book probably as long and haven’t touch the surface of its contents yet!
 

Synchro

The artist formerly known as: Synchro
Staff member
Jun 2, 2008
27,307
Tucson
I'm on the fence about joining @Bertotti on his JS quest. I'm very interested and intrigued but don't have guitar commitments to other people. I do have bassoon and tenor sax commitments, so practice time is limited; even the trombone has stayed in the closet since the pandemic began. Between that and the fact that I'm self-taught, I'm only half way through the Hal Leonard method book for guitar, after 2.5 years. Sad!
FWIW, this book changed me as a player. That was a long time ago, but this approach, of dividing chords and scales into three “forms” is how I map the neck to this day. When I added in the Major and minor triad inversions, it was like the one puzzle piece that made the picture come into view.

We‘ve talked about this book, on and off, for some time, so I requested a place where the explanations could be brought together, into one place.
 

Bertotti

Gretschified
Jul 20, 2017
10,948
South Dakota
FWIW, this book changed me as a player. That was a long time ago, but this approach, of dividing chords and scales into three “forms” is how I map the neck to this day. When I added in the Major and minor triad inversions, it was like the one puzzle piece that made the picture come into view.

We‘ve talked about this book, on and off, for some time, so I requested a place where the explanations could be brought together, into one place.
For me it is a vehicle, a road map to get me more focused on what to learn and when, and tie it all together! My biggest problem is I have to find a way to make a bit of Tim each day to work on it. Travel and work 10-18 hour days at times really makes that hard. I have fallen behind in guitar and my favorite instrument, mandolin.
 

Synchro

The artist formerly known as: Synchro
Staff member
Jun 2, 2008
27,307
Tucson
For me it is a vehicle, a road map to get me more focused on what to learn and when, and tie it all together! My biggest problem is I have to find a way to make a bit of Tim each day to work on it. Travel and work 10-18 hour days at times really makes that hard. I have fallen behind in guitar and my favorite instrument, mandolin.
In a sense, that is what this book does most effectively. It treats all 12 keys equally, with the goal of making a player equally proficient in every Major, and every minor key. When I first studied this book, it seemed to me that I knew all of this, but when I tried to play every scale, I quickly learned that there was a big difference between knowing what notes are in a scale, and being able to play that scale flawlessly. It took some months of woodshedding to get better at the technique side of it it, but the added bonus was that it fed back into my understanding of theory, and my ear training.
 
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